6 in C Minor, The Agony in the Garden: II.ĭR10 -11.47 dB -26.42 dB 0:41 17-Mystery (Rosary) Sonata No. 6 in C Minor, The Agony in the Garden: I. 5 in A Major, The Finding of Jesus in the Temple: IV. 5 in A Major, The Finding of Jesus in the Temple: III. 5 in A Major, The Finding of Jesus in the Temple: II. 5 in A Major, The Finding of Jesus in the Temple: I. 4 in D Minor, The Presentation of Jesus in the Temple: Ciacona - AdagioĭR11 -3.96 dB -18.49 dB 0:51 11-Mystery (Rosary) Sonata No. Variatio - Aria allegro - Variatio - Adagio - ĭR12 -5.88 dB -22.68 dB 0:59 03-Mystery (Rosary) Sonata No. 16 in G Minor, The Guardian Angelįoobar2000 1.6.6 / Dynamic Range Meter 1.1.1Īnalyzed: Amandine Beyer & Gli Incogniti / Biber: Mystery (Rosary) SonatasĭR13 -3.57 dB -20.07 dB 2:01 01-Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and EarthĤ3. 14 in D Major, The Assumption of Mary into Heaven 13 in D Minor, The Descent of the Holy Spirit 10 in G Minor, The Crucifixion and Death of JesusĢ7. 9 in A Minor, The Carrying of the CrossĢ4.
8 in B-Flat Major, The Crowning with ThornsĢ2. 7 in F Major, The Scourging at the PillarĢ0. 5 in A Major, The Finding of Jesus in the Temple 4 in D Minor, The Presentation of Jesus in the Temple Variatio - Aria allegro - Variatio - Adagio - (2:01) These players have recorded three albums of Vivaldi now, and they truly stand out from the crowd this album made best-seller charts in late 2022.Mystery (Rosary) Sonata No. Beyer directs the ensemble Gli Incogniti from the violin, and the musicians convey a sense of wonder at Vivaldi's unfailing exuberance. Elsewhere, listeners will hear a solo clarinet, a good deal of percussion in the supposedly percussionless Baroque, really wild echo effects in the first movement of the Violin Concerto in A major, RV 344, a couple of examples of Vivaldi's solemn style in writing for a formal church environment (entirely different from his usual mode), and a great deal more. It features a solo violin and cello playing in each other's clefs. Start at the end with the Violin Concerto in F major, RV 572, whose subtitle, "Il mondo al rovescio" ("The World Upside Down"), gives the album its title. Violinist Amandine Beyer sets herself the task of bringing together and interpreting concertos with a great variety of instrumentation, and one will be bowled over by the sheer variety here. Recordings of Vivaldi concertos may seem to be a dime a dozen, but this one is a standout.
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